NOSEX

"both high and low culture have produced masterpieces and works of mediocrity. it is our task to find beauty in unexpected places." — jahsonic (june, 2006), art & popular culture wiki

"i urge you: learn to look at ‘bad’ films, they are so often sublime." — adonis kyrou,
le surréalisme au cinéma (1953)


"a still is not a film. it lacks the dimensions of time and movement — indispensable components of film art — and represents only a small fraction of a single second of a given motion picture." — amos vogel, film as a subversive art (1974)

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30 notes

GLISSEMENTS PROGRESSIFS DU PLAISIR (ALAIN ROBBE-GRILLET, 1974)


20 notes photo by me

photo by me



0 notes
Anonymous: where are you from?

northwest indiana, about an hour out of chicago.


22 notes NEBRASKA (ALEXANDER PAYNE, 2013)

NEBRASKA (ALEXANDER PAYNE, 2013)


13 notes SIMON KILLER (ANTONIO CAMPOS, 2012)

SIMON KILLER (ANTONIO CAMPOS, 2012)


25 notes JOHNNY GUITAR (NICHOLAS RAY, 1954)

JOHNNY GUITAR (NICHOLAS RAY, 1954)



55 notes

iggy azalea, fancy ft. charli xcx

22 notes THE UNKNOWN KNOWN (ERROL MORRIS, 2013)

THE UNKNOWN KNOWN (ERROL MORRIS, 2013)


122 notes lottereinigerforever:

Alain Resnais on the set of “L’année dernière à Marienbad”

lottereinigerforever:

Alain Resnais on the set of “L’année dernière à Marienbad”

(via robespierre19)


77 notes

13monden:

I keep starting movies at 2AM thinking it’s going to be like when I was in high school when I would watch movies until the sun came up, but now I just fall asleep after thirty minutes.


60 notes L’AMOUR BRAQUE (ANDRZEJ ŻUŁAWSKI, 1985)

L’AMOUR BRAQUE (ANDRZEJ ŻUŁAWSKI, 1985)


46 notes SIMON KILLER (ANTONIO CAMPOS, 2012)

SIMON KILLER (ANTONIO CAMPOS, 2012)